{"id":599,"date":"2016-05-02T13:32:07","date_gmt":"2016-05-02T11:32:07","guid":{"rendered":"http:\/\/www.piuomenopop.it\/?p=599"},"modified":"2018-01-01T19:45:38","modified_gmt":"2018-01-01T18:45:38","slug":"il-crossover-rinasce-a-londra-vodun","status":"publish","type":"post","link":"https:\/\/www.piuomenopop.it\/index.php\/2016\/05\/02\/il-crossover-rinasce-a-londra-vodun\/","title":{"rendered":"IL CROSSOVER RINASCE A LONDRA: VODUN"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-600 aligncenter\" src=\"http:\/\/www.piuomenopop.it\/wp-content\/uploads\/2016\/05\/vodun_pic-300x300.jpg\" alt=\"vodun_pic\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.piuomenopop.it\/wp-content\/uploads\/2016\/05\/vodun_pic-300x300.jpg 300w, https:\/\/www.piuomenopop.it\/wp-content\/uploads\/2016\/05\/vodun_pic-150x150.jpg 150w, https:\/\/www.piuomenopop.it\/wp-content\/uploads\/2016\/05\/vodun_pic-768x768.jpg 768w, https:\/\/www.piuomenopop.it\/wp-content\/uploads\/2016\/05\/vodun_pic-50x50.jpg 50w, https:\/\/www.piuomenopop.it\/wp-content\/uploads\/2016\/05\/vodun_pic.jpg 400w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>\u00c8 uscito ad Aprile\u00a0per\u00a0 <strong>Riff Raff Records<\/strong>\u00a0 l&#8217;atteso album di debutto <strong>&#8220;Possession&#8221;<\/strong> dei\u00a0 londinesi\u00a0 <a href=\"http:\/\/www.vodunband.com\/\" target=\"_blank\"><strong>Vodun<\/strong><\/a>,\u00a0 mixato\u00a0 da\u00a0 <strong>Tom Dalgety<\/strong>.<br \/>\nIl\u00a0\u00a0\u00a0 singolare\u00a0 trio\u00a0\u00a0 \u00e8\u00a0\u00a0 composto\u00a0\u00a0 da\u00a0\u00a0 <strong>Ogoun,\u00a0 The Marassa\u00a0 e\u00a0 Oya,<\/strong>\u00a0 e\u00a0 suonano\u00a0 un crossover\u00a0\u00a0 anni\u00a0\u00a0 novanta\u00a0\u00a0 che\u00a0\u00a0 tritura\u00a0\u00a0 nello\u00a0\u00a0 stesso\u00a0 calderone\u00a0\u00a0 Funk,\u00a0 Hard- Rock, Metal, musica\u00a0 etnica\u00a0 e\u00a0 psichedelia.<br \/>\nIl\u00a0 look\u00a0 \u00e8\u00a0 caratterizzato\u00a0 da\u00a0\u00a0 uno\u00a0 stile\u00a0\u00a0 Voo\u00a0 Doo\/ Afro-Punk\u00a0\u00a0 di\u00a0\u00a0 stampo\u00a0 lisergico &#8211; tribale. Le\u00a0 liriche\u00a0 sono\u00a0 cariche\u00a0 di\u00a0 sofferenza e\u00a0 mettono\u00a0 in\u00a0 luce\u00a0 la\u00a0\u00a0 potente\u00a0 voce\u00a0 della\u00a0\u00a0 cantante\u00a0\u00a0\u00a0 (una\u00a0\u00a0 novella\u00a0\u00a0 infuriata\u00a0\u00a0\u00a0 <strong>Skin<\/strong>\u00a0\u00a0 direttamente\u00a0\u00a0 dei\u00a0\u00a0 tempi\u00a0 d&#8217; oro\u00a0 e lontana anni\u00a0 luce dalla attuale diva patinata da Talent show )\u00a0\u00a0 e\u00a0\u00a0 trattano\u00a0 temi\u00a0 che\u00a0 vanno\u00a0\u00a0 dagli\u00a0\u00a0\u00a0 esorcismi\u00a0\u00a0\u00a0 da\u00a0\u00a0 film\u00a0\u00a0 horror\u00a0 alla\u00a0 schiavit\u00f9.\u00a0 Le\u00a0\u00a0 bands\u00a0 di\u00a0 riferimento sono\u00a0 molte, tra\u00a0 queste\u00a0 le\u00a0 principali\u00a0 <strong>Skunk Anansie,\u00a0 Soulfly, Living Colour<\/strong> e\u00a0 tutto\u00a0 il\u00a0 chiassoso\u00a0 e\u00a0 variopinto\u00a0 carrozzone\u00a0 del\u00a0 Crossover\/Nu Metal.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-601 aligncenter\" src=\"http:\/\/www.piuomenopop.it\/wp-content\/uploads\/2016\/05\/12744105_905177882933891_1989936640261544918_n-300x300.jpg\" alt=\"POSSESSION\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.piuomenopop.it\/wp-content\/uploads\/2016\/05\/12744105_905177882933891_1989936640261544918_n-300x300.jpg 300w, https:\/\/www.piuomenopop.it\/wp-content\/uploads\/2016\/05\/12744105_905177882933891_1989936640261544918_n-150x150.jpg 150w, https:\/\/www.piuomenopop.it\/wp-content\/uploads\/2016\/05\/12744105_905177882933891_1989936640261544918_n-768x768.jpg 768w, https:\/\/www.piuomenopop.it\/wp-content\/uploads\/2016\/05\/12744105_905177882933891_1989936640261544918_n-50x50.jpg 50w, https:\/\/www.piuomenopop.it\/wp-content\/uploads\/2016\/05\/12744105_905177882933891_1989936640261544918_n.jpg 432w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><strong>&#8220;Possession&#8221;\u00a0<\/strong> comincia\u00a0\u00a0 subito\u00a0\u00a0 poderoso\u00a0 e\u00a0 non\u00a0 tradisce\u00a0 le\u00a0\u00a0 aspettative,\u00a0 si\u00a0 apre con\u00a0 <strong>&#8220;Loa&#8217;s Kingdom&#8221;\u00a0<\/strong> il\u00a0 Funk\u00a0 e\u00a0 il\u00a0 Rock\u00a0 pi\u00f9\u00a0 pesante\u00a0 si\u00a0 fondono\u00a0\u00a0 in\u00a0 riff\u00a0 giganti e drumming\u00a0 potenti e oppressivi,\u00a0 che richiamano\u00a0 alcuni\u00a0 episodi\u00a0\u00a0 degli\u00a0 <strong>Ugly Kid Joe<\/strong> meno\u00a0 sobri, il\u00a0 finale\u00a0 \u00e8\u00a0 articolato\u00a0 in\u00a0 crescere\u00a0 tra cori e assoli di chitarra. Arriva poi la\u00a0 volta\u00a0 di\u00a0 <strong>&#8220;Bondeye&#8221;\u00a0<\/strong> altro\u00a0 ibrido\u00a0 possente, l&#8217;intro\u00a0 \u00e8\u00a0 percussivo alla maniera dei <strong>Puya<\/strong>\u00a0\u00a0 ma\u00a0\u00a0 ben\u00a0 presto\u00a0 la\u00a0\u00a0 rabbia\u00a0 ci\u00a0 esplode\u00a0 addosso\u00a0 in\u00a0 una\u00a0 frenetica\u00a0 corsa\u00a0 Trash Metal,\u00a0 <strong>&#8220;Bloodstones&#8221;<\/strong>\u00a0 aggiunge\u00a0 poi\u00a0 altri\u00a0\u00a0 colori\u00a0 alla\u00a0 tavolozza\u00a0 sonora\u00a0 dei\u00a0 ragazzi di\u00a0\u00a0 <strong>Londra<\/strong>,\u00a0 ecco\u00a0\u00a0 infatti\u00a0\u00a0 una\u00a0 Ballad\u00a0 &#8220;mid-time&#8221;\u00a0 dai\u00a0 toni\u00a0 vagamente\u00a0 Grunge\u00a0 alla <strong>Staind<\/strong> , il\u00a0 pezzo\u00a0 inizia\u00a0 soffuso\u00a0 per\u00a0 poi\u00a0 crescere\u00a0 in una struttura tipicamente Rock, fino\u00a0\u00a0 a\u00a0\u00a0 un&#8217;\u00a0 ecatombe\u00a0 fatta\u00a0\u00a0 di\u00a0\u00a0 chitarre\u00a0\u00a0 elettriche\u00a0 e\u00a0 urla\u00a0 da\u00a0 amazzone,\u00a0 per\u00a0 poi rispegnersi\u00a0 dolcemente\u00a0 e\u00a0 scomparire, uno\u00a0 dei\u00a0 brani\u00a0 pi\u00f9\u00a0 a\u00a0 fuoco.\u00a0 E&#8217; il turno della cavalcata\u00a0 Heavy\u00a0 <strong>&#8220;Oya&#8221;\u00a0<\/strong> chitarre\u00a0 acide\u00a0 e\u00a0 basso\u00a0 groovy\u00a0 implodono\u00a0 in un\u00a0 finale\u00a0 di stampo\u00a0 californiano\u00a0 fatto\u00a0 da\u00a0 &#8220;stop and go&#8221;\u00a0 continui, <strong>&#8220;Loko&#8221;<\/strong> fa da electro-preludio a\u00a0 <strong>&#8220;Legba&#8217;s Feast&#8221;\u00a0<\/strong> un\u00a0 altro\u00a0 dei\u00a0 momenti\u00a0 che\u00a0 ho\u00a0\u00a0 preferito,\u00a0 ballata\u00a0 desertica\u00a0 che comincia\u00a0 come\u00a0 un\u00a0 risveglio, le\u00a0 chitarre\u00a0 dal\u00a0 sapore indianeggiante si intrecciano in un\u00a0 mantra,\u00a0 le\u00a0\u00a0 percussioni\u00a0\u00a0 ipnotiche\u00a0 e\u00a0 convulse\u00a0 galleggiano\u00a0 riportandoci\u00a0 visioni elettriche\u00a0\u00a0 (pi\u00f9\u00a0 o\u00a0 meno\u00a0 alterate)\u00a0\u00a0 di\u00a0\u00a0\u00a0 &#8220;Zeppeliana&#8221;\u00a0\u00a0 memoria,\u00a0 il\u00a0\u00a0 bridge\u00a0 \u00e8\u00a0 infatti allucinato, distorto\u00a0 e\u00a0 suonato\u00a0 idealmente\u00a0 a\u00a0 migliaia di decibel come farebbero dei <strong>Fu Manchu\u00a0<\/strong>\u00a0 pi\u00f9\u00a0\u00a0 sfasati\u00a0\u00a0 e\u00a0\u00a0 sordi\u00a0 che\u00a0 mai,\u00a0 si\u00a0 chiude\u00a0 con\u00a0 il\u00a0 classico\u00a0 ritornellone Power.\u00a0 <strong>&#8220;Possession&#8221;<\/strong>,\u00a0 la\u00a0\u00a0 title\u00a0\u00a0 track,\u00a0 \u00e8\u00a0 un\u00a0\u00a0 pezzo\u00a0 interessante\u00a0 che inizia\u00a0 con una classica\u00a0\u00a0 scorribanda\u00a0 Trash\u00a0 nei\u00a0 sentieri\u00a0 dell&#8217; Heavy, scavati\u00a0 nella\u00a0 roccia\u00a0 da\u00a0 gente come\u00a0 <strong>Metallica,\u00a0 Slayer<\/strong>\u00a0 e <strong>Pantera<\/strong>,\u00a0 per\u00a0 poi\u00a0 cambiare\u00a0 faccia\u00a0 e trasformarsi in una prepotente apertura\u00a0 orchestrale, un\u00a0 impetuoso crescendo\u00a0 tra\u00a0 cori\u00a0 epici\u00a0 e tappeti di\u00a0\u00a0 archi\u00a0\u00a0 e\u00a0\u00a0 chitarre\u00a0\u00a0 misticheggianti,\u00a0 come\u00a0\u00a0 dei\u00a0\u00a0 <strong>System of a Down<\/strong>\u00a0\u00a0 in\u00a0 versione operistica. <strong>&#8220;Mawu&#8221;\u00a0<\/strong> prosegue le\u00a0\u00a0 danze\u00a0\u00a0 con\u00a0\u00a0 grossi\u00a0\u00a0 e scanditi\u00a0 riff,\u00a0 il\u00a0 ritornello\u00a0\u00a0 \u00e8 possente, il\u00a0 brano\u00a0 celebra\u00a0 i <strong>Soundgarden<\/strong>\u00a0 pi\u00f9 arroventati e polverosi specialmente nella\u00a0\u00a0 sferzata\u00a0\u00a0 progressiva\u00a0 del\u00a0 finale,\u00a0 ci\u00a0\u00a0 avviamo\u00a0 verso\u00a0 la chiusura\u00a0 con\u00a0 <strong>&#8220;Minos Army&#8221;\u00a0<\/strong> molto\u00a0 curati gli intrecci vocali, le strutture urticanti\u00a0 figlie\u00a0 dei <strong>Faith No More<\/strong> a\u00a0 chiudere\u00a0 poi, un\u00a0\u00a0 sample\u00a0 vocale\u00a0\u00a0 a\u00a0 tema\u00a0\u00a0 razzismo,\u00a0 in\u00a0 <strong>&#8220;Divinity&#8221;\u00a0\u00a0<\/strong> troviamo poi un\u00a0 po&#8217; \u00a0 tutti\u00a0\u00a0 gli\u00a0\u00a0 ingredienti\u00a0\u00a0 del\u00a0\u00a0 gruppo,\u00a0 giri\u00a0 Hard&#8217;n&#8217;Heavy, ritornelli\u00a0 potenti\u00a0 ma orecchiabili, ritmiche\u00a0 strangolate,\u00a0 giri\u00a0\u00a0 di\u00a0\u00a0 basso\u00a0 &#8220;rimbalzosi&#8221;\u00a0 ma\u00a0\u00a0 catacombali,\u00a0 il tutto\u00a0 organizzato,\u00a0 in\u00a0 questo\u00a0 caso,\u00a0 in una\u00a0 struttura\u00a0 bizzarra\u00a0 affine\u00a0 a <strong>Les Claypool<\/strong> e\u00a0 soci,\u00a0 la\u00a0\u00a0 canzone\u00a0 si\u00a0 chiude\u00a0 in\u00a0 un\u00a0 vortice\u00a0 di\u00a0 noise,\u00a0\u00a0 palm\u00a0 muting\u00a0 e\u00a0 piogge\u00a0 di rullate\u00a0 che\u00a0\u00a0 svaniscono\u00a0 sotto\u00a0 un&#8217; altro\u00a0 sample\u00a0 vocale\u00a0 questa\u00a0 volta\u00a0 annegato\u00a0 nel riverbero.\u00a0\u00a0 Chiude\u00a0 il\u00a0\u00a0 lavoro\u00a0 l&#8217;\u00a0 apocalittica\u00a0\u00a0\u00a0 <strong>&#8220;Kanpay Rejet\u00e8&#8221;\u00a0\u00a0<\/strong>\u00a0 qui\u00a0\u00a0 il\u00a0 mood\u00a0 si\u00a0 fa inesorabile,\u00a0 tribaleggiante\u00a0 e\u00a0 avvelenato\u00a0 come\u00a0 nei\u00a0\u00a0 <strong>Sepultura\u00a0\u00a0<\/strong> pi\u00f9\u00a0 dopati,\u00a0 i bassi sono\u00a0 distorti e brutali , i\u00a0 patterns\u00a0 di\u00a0\u00a0 batteria\u00a0 matematici\u00a0 disegnano\u00a0 la geometria del\u00a0 brano, i\u00a0 vocals\u00a0 sono\u00a0 sofferti e\u00a0 glaciali, come\u00a0 in\u00a0 una\u00a0 catarsi\u00a0 dal\u00a0 dolore, urlati dal\u00a0 profondo\u00a0\u00a0 con\u00a0\u00a0 le\u00a0\u00a0 ultime\u00a0\u00a0 forze\u00a0\u00a0 a\u00a0\u00a0 disposizione,\u00a0 ma\u00a0 sta\u00a0 finendo\u00a0\u00a0 tutto\u00a0 ed \u00e8 chiaro\u00a0 da\u00a0\u00a0 subito\u00a0\u00a0 perch\u00e9 \u00a0 le\u00a0 chitarre\u00a0 che\u00a0\u00a0 si\u00a0\u00a0\u00a0 sgretolano\u00a0 poco\u00a0 alla\u00a0 volta, fino\u00a0 a\u00a0 divenire\u00a0 un&#8217;\u00a0 onda\u00a0\u00a0 quadra\u00a0\u00a0 enorme\u00a0 e\u00a0\u00a0 primordiale\u00a0 proveniente\u00a0 dallo\u00a0 spazio\u00a0\u00a0 pi\u00f9\u00a0 profondo.<br \/>\nGruppo\u00a0 interessante, il\u00a0 disco suona\u00a0 molto\u00a0 bene e i\u00a0 ragazzi\u00a0 ci\u00a0 sanno\u00a0 davvero fare, in\u00a0 definitiva\u00a0\u00a0 sicuramente\u00a0 un\u00a0 bell&#8217; esordio, consigliatissimo\u00a0 agli\u00a0 amanti\u00a0 di\u00a0 questo genere,\u00a0 che\u00a0\u00a0 ha\u00a0 gi\u00e0\u00a0\u00a0 dato\u00a0 molto\u00a0 in\u00a0\u00a0 passato,\u00a0 certamente\u00a0\u00a0 dargli\u00a0 nuova\u00a0 linfa\u00a0 non \u00e8\u00a0\u00a0 un\u00a0\u00a0 compito\u00a0\u00a0 semplice,\u00a0 la\u00a0 vicinanza\u00a0 vocale\u00a0 con\u00a0<strong> Skin<\/strong>\u00a0 poi,\u00a0 da\u00a0 si\u00a0 grande\u00a0 enfasi alle\u00a0\u00a0 composizioni\u00a0\u00a0 ma\u00a0\u00a0 in\u00a0\u00a0 qualche\u00a0\u00a0 modo\u00a0\u00a0 contribuisce\u00a0\u00a0 ulteriormente all&#8217;effetto deja\u00a0\u00a0 vu.\u00a0\u00a0 Detto\u00a0\u00a0\u00a0 questo\u00a0\u00a0 la\u00a0\u00a0 sostanza\u00a0\u00a0 c&#8217; \u00e8\u00a0\u00a0\u00a0 e\u00a0\u00a0 vedremo\u00a0\u00a0\u00a0 in\u00a0\u00a0 futuro\u00a0\u00a0 che\u00a0\u00a0 strada prenderanno, sicuramente\u00a0 da\u00a0\u00a0 tenere\u00a0\u00a0 d&#8217; occhio!<\/p>\n<p>Vodun &#8211; Possession (2016) &#8211; Riff Raff Records<br \/>\n1.&#8221;Loa&#8217;s kingdom&#8221;<br \/>\n2.&#8221;Bondeye&#8221;<br \/>\n3.&#8221;Bloodstones&#8221;<br \/>\n4.&#8221;Oya&#8221;<br \/>\n5.&#8221;Loko&#8221;<br \/>\n6.&#8221;Legba&#8217;s Feast&#8221;<br \/>\n7.&#8221;Possession&#8221;<br \/>\n8.&#8221;Mawu&#8221;<br \/>\n9.&#8221;Minos Army&#8221;<br \/>\n10.&#8221;Divinity&#8221;<br \/>\n11.&#8221;Kanpay Rejet\u00e8&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"mh-excerpt\"><p>\u00c8 uscito ad Aprile\u00a0per\u00a0 Riff Raff Records\u00a0 l&#8217;atteso album di debutto &#8220;Possession&#8221; dei\u00a0 londinesi\u00a0 Vodun,\u00a0 mixato\u00a0 da\u00a0 Tom Dalgety. Il\u00a0\u00a0\u00a0 singolare\u00a0 trio\u00a0\u00a0 \u00e8\u00a0\u00a0 composto\u00a0\u00a0 da\u00a0\u00a0 <a class=\"mh-excerpt-more\" href=\"https:\/\/www.piuomenopop.it\/index.php\/2016\/05\/02\/il-crossover-rinasce-a-londra-vodun\/\" title=\"IL CROSSOVER RINASCE A LONDRA: VODUN\">[&#8230;]<\/a><\/p>\n<\/div>","protected":false},"author":8,"featured_media":601,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[8,7],"tags":[38,130,125,131],"class_list":["post-599","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uscite","category-recensioni","tag-goodfellas","tag-possession","tag-riffraffrecords","tag-vodun"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.piuomenopop.it\/index.php\/wp-json\/wp\/v2\/posts\/599","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.piuomenopop.it\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.piuomenopop.it\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.piuomenopop.it\/index.php\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.piuomenopop.it\/index.php\/wp-json\/wp\/v2\/comments?post=599"}],"version-history":[{"count":4,"href":"https:\/\/www.piuomenopop.it\/index.php\/wp-json\/wp\/v2\/posts\/599\/revisions"}],"predecessor-version":[{"id":640,"href":"https:\/\/www.piuomenopop.it\/index.php\/wp-json\/wp\/v2\/posts\/599\/revisions\/640"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.piuomenopop.it\/index.php\/wp-json\/wp\/v2\/media\/601"}],"wp:attachment":[{"href":"https:\/\/www.piuomenopop.it\/index.php\/wp-json\/wp\/v2\/media?parent=599"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.piuomenopop.it\/index.php\/wp-json\/wp\/v2\/categories?post=599"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.piuomenopop.it\/index.php\/wp-json\/wp\/v2\/tags?post=599"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}